The sound of Ragga Nyc runs in parallel with Christina's work/ sound: The sound of Ragga Nyc can be defined as the pairing of music from the greater Caribbean with electronic music originating in Detroit, being remixed across the African diaspora, and returning to the queer night clubs of New York City. At the nexus of these genres and various sub-genres is a shared lineage/universal narrative that, by allowing the marriage of, Ragga NYc expands the notion of what scenes can be in community with one another. Ragga Nyc is the setting where queer folks can openly enjoy dancehall and reggae, where Black people can rejoice and re-stake claim to electronic music, and where the embrace of countercultures further inspires innovative sounds that reflect the multitude of identities in which they stem from. At no point does the sound reflect a basic exchange or one-to-one trade off of dancehall to techno, soca to club, kompa to house, etc. When properly conducted/curated, the sound of Ragga Nyc echoes an arrangement of acknowledgements of the identities and their associated music that encompasses the community that Ragga Nyc strives to serve.